Thursday, December 25, 2008

Did You know??? Drew Seeley is best known as the singing voice of Troy for the first High School Musical

Andrew Michael Edgar Seeley (born April 30, 1982 in Ottawa, Ontario), better known as Drew Seeley, is a Canadian singer and actor. He has recorded many songs for The Walt Disney Company.

Contents

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Career

Drew Seeley is best known as the singing voice of Troy for the first High School Musical. While most people believed it was Zac Efron singing the songs, it was later revealed that it was Seeley's voice. Seeley has sung on the following albums: DisneyMania 4, The Cheetah Girls 2, Jump In!, High School Musical, DisneyMania 5, and 6, Radio Disney Jams 9, Disney Channel Holiday, and High School Musical: The Concert. "Get'cha Head in the Game", a song he co-wrote with Ray and Greg Cham for High School Musical, helped propel the soundtrack to 4 million copies sold alone. He also took over for Efron for the HSM concert (Efron was shooting Hairspray at the time).

In 2008, Drew was a guest star in The Suite Life Of Zack and Cody as the grandson of a guy who lost his phone and was later found by Maddie. He also made an appearance in Stuck In The Suburbs in 2004 as the hotel clerk. He was later cast in Another Cinderella Story for Warner Bros. with Selena Gomez. It was released on September 16th, 2008. There has been controversy[citation needed] over Drew and Selena's kiss in the movie due to the fact that he was 26 and she was 16 during the time . It has been very clear that Selena and Drew are just friends.[citation needed]

Drew has the lead role of Derek in The Shortcut, a thriller/horror by Adam Sandler's "Scary Madison Productions", which will be out early in 2009.

Filmography

Discography

Soundtrack

Songs

Videography

High School Musical 4

High School Musical 4

On April 8, 2008, Disney Channel Worldwide President Rich Ross stated that script was being written for the fourth installment of High School Musical. However, he refused to divulge the storyline or number of cast members who will be making a comeback in it.[23]

Spin-off

High School Musical: El desafio (Argentina)

High School Musical: El desafio (Argentina) is a spin-off of the American movie High School Musical for the Argentine market, based on the book Battle of the Bands. The movie arrived in Argentine theaters on July 17, 2008.

On stage performances

Concert tour

The "High School Musical: The Concert" tour started on November 29, 2006 kicking off in San Diego, California. The tour continued until January 28, 2007 performing in major cities around the United States, Canada and Latin America. The concert featured all of the original cast members except for Zac Efron, who was busy shooting Hairspray. Efron was replaced by Drew Seeley (whose voice was blended with Efron's during the movie). The concert featured the original songs from the movie, as well as displaying songs from Vanessa Hudgens, Ashley Tisdale, and Corbin Bleu.

Stage musical

Pacific Repertory Theatre's School of Dramatic Arts production of Disney's High School Musical.

On August 1, 2006, Playbill announced that the Stagedoor Manor summer theater camp, featured in the movie Camp, would be the first venue to produce High School Musical on-stage.

North Shore Music Theater in Beverly, MA had a stage production of High School Musical running until the end of July 2007, featuring Broadway actor Andrew Keenan-Bolger and Kate Rockwell, a semi-finalist on Grease: You're the One that I Want!, as Sharpay. Pacific Repertory Theatre's School of Dramatic Arts staged the California premiere in 2007 (which it revived in 2008), and will present the West Coast premiere of High School Musical 2 in January 2009.[24]

Theater of the Stars in Atlanta, Georgia was the first professional company to put on High School Musical.

Ice tour

"Feld Entertainment" produced global tour titled, High School Musical: The Ice Tour which had its world premiere in New York city on September 29, 2007.[25] The cast included 2004 World Junior Bronze Medalist Jordan Brauninger and 2004-2005 Australian national champion Bradley Santer. The show contained elements and songs from both the original movie and its sequel, High School Musical 2.

Book series

In June 2006, Disney Press published High School Musical: the Junior Novel, the novelization of the successful film. This novel hit number one on the New York Times best-selling list and remained on the list for sixteen weeks.[26] As of August 2007, the novel has sold more than 4.5 million copies, with 1 million copies of the novel's follow-up, High School Musical 2: The Junior Novel, being shipped to American retailers.[26] "High School Musical 3: Senior Year: The Junior Novel" came out on September 23, 2008. Shortly after the success of the original novel, Disney announced that a book series, entitled Stories From East High, would be published in February 2007 with a new book being published every 60 days until July 2008. It also came to England, at the O2.

Video games

The game is about the High School Musical friends traveling across America in a competition, hoping to win the "The American Amateur Musical" title. With the help of Troy and the others, they will show that they have what it takes to win the competition. The release date was originally set for August 14, 2007 for the Nintendo DS, Wii, and Playstation 2. The release date was later delayed to November 7, 2007. Another game was released in 2007 called "Makin' the Cut!" only for DS. Other games; High School Musical 3: Senior Year DS and Dance is coming October 21, 2008.

Reality series

ABC broadcast a new reality series titled High School Musical: Get in the Picture, which started on July 20, 2008.[27] Nick Lachey is the series host.[28]

On July 20, 2008, ABC premiered the reality series to poor ratings, with the show coming in fourth place in its time. [29]

Parodies

  • A 2008 episode of South Park titled "Elementary School Musical" dealt with the High School Musical fad's popularity at South Park Elementary, and included musical numbers parodying those seen in High School Musical. The plot of the episode is a reversal of the plot of the movie, with a Zac Efron-lookalike forced by his father to sing and dance wishing to join the basketball team.
  • A 2006 MADtv skit also titled "High School Musical" showed the MADtv cast playing the HSM characters with more realistic teen issues including bulimia, child abuse, homosexuality, etc.
  • Saturday Night Live has parodied HSM twice.

Awards

Year Award Category Result
2006
Billboard Music Award Soundtrack Album of the Year Won
Emmy Award Outstanding Choreography
Teen Choice Award Television - Choice Breakout Star
(Zac Efron)
Television - Choice Chemistry
(Vanessa Hudgens & Zac Efron)
Television Critics Association Award Outstanding Achievement in Children's Programming
American Music Award Best Pop Album Nominated
Billboard Music Award Album of the Year
Emmy Award Outstanding Casting for a Miniseries, Movie, or a Special
Outstanding Directing for a Miniseries, Movie, or a Dramatic Special
Outstanding Original Music and Lyrics
("Get'cha Head in the Game")
Outstanding Original Music and Lyrics
("Breaking Free")


Source: www.wikipedia.com

Did You Know

Robert Sterling Yard (February 1, 1861 – May 17, 1945) was an American writer, journalist, and wilderness activist. Born in Haverstraw, New York, Yard graduated from Princeton University and spent the first twenty years of his career in the editing and publishing business. In 1915, he was recruited by his friend Stephen Mather to help publicize the need for an independent national park agency. Their numerous publications were part of a movement that resulted in legislative support for a National Park Service (NPS) in 1916. Yard served as head of the National Parks Educational Committee for several years after its conception, but tension within the NPS led him to concentrate on non-government initiatives. He became executive secretary of the National Parks Association in 1919.

Yard worked to promote the national parks as well as educate Americans about their use. Creating high standards based on aesthetic ideals for park selection, he also opposed commercialism and industrialization of what he called "America's masterpieces". These standards subsequently caused discord with his peers. After helping to establish a relationship between the NPA and the United States Forest Service, Yard later became involved in the protection of wilderness areas. In 1935, he became one of the eight founding members of The Wilderness Society and acted as its first president from 1937 until his death eight years later. Yard is now considered an important figure in the modern wilderness movement.


Early life and career

Born in 1861 in Haverstraw, New York to Robert Boyd and Sarah (Purdue) Yard, Robert Sterling Yard graduated from Princeton University in 1883.[1] He became a prominent member of Princeton's Alumni Association and also founded the Montclair Princeton Alumni Association. In 1895, he married Mary Belle Moffat and they had one daughter, Margaret.[1]

During the 1880s and 1890s, Yard worked as a journalist for the New York Sun and the New York Herald.[2] He then served in the publishing business from 1900 to 1915, variously as editor-in-chief of The Century Magazine and Sunday editor of the New York Herald.[3] After serving as editor of Charles Scribner's Sons' the Book Buyer, Yard helped launch the publishing firm of Moffat, Yard and Company, for which he served as vice president and editor-in-chief.[1]

National Park Service

In 1915, Yard moved to Washington, D.C. at the request of a friend, Stephen Mather. Yard and Mather had met while working for the New York Sun and became friends; Yard was even the best man at Mather's wedding in 1893.[4] Mather, who wanted someone to help publicize the need for an independent agency to oversee the national parks movement, personally paid Yard's salary.[5] The United States had authorized three dozen parks and monuments over the past forty years (1872–1915), but there was no single agency to provide unified management.[6] Together Mather and Yard ran a national parks publicity campaign for the Department of the Interior, writing numerous articles that praised the scenic qualities of the parks and their possibilities for educational, inspirational and recreational benefits.[7] The unprecedented press coverage persuaded influential Americans about the importance of national parks, putting pressure on Congress to create an independent parks agency.[7]

Although Yard was not an outdoorsman like most advocates of a national park service, he nevertheless felt a connection to the cause and eventually became personally invested in its success. At the National Park Conference in March 1915, he stated, "I, the treader of dusty city streets, boldly claim common kinship with you of the plains, the mountains, and the glaciers."[2] One of his most recognized and passionate articles of the time, entitled "Making a Business of Scenery", appeared in The Nation's Business in June 1916:

We want our national parks developed. We want roads and trails like Switzerland's. We want hotels of all prices from lowest to highest. We want comfortable public camps in sufficient abundance to meet all demands. We want lodges and chalets at convenient intervals commanding the scenic possibilities of all our parks. We want the best and cheapest accommodations for pedestrians and motorists. We want sufficient and convenient transportation at reasonable rates. We want adequate facilities and supplies for camping out at lowest prices. We want good fishing. We want our wild animal life conserved and developed. We want special facilities for nature study.[8]

Yard's most successful publicity initiative during this time was the National Parks Portfolio (1916), which—through photographs interspersed with text lauding the scenic grandeur of the nation's major parks—connected the parks with a sense of national identity to make visitation an imperative of American citizenship.[9] Yard and Mather distributed this publication to a carefully selected list of prominent Americans, including every member of Congress.[10]

The onslaught of publicity spearheaded by Yard and Mather resulted in the creation of the National Park Service; Mather served as its first director. On August 25, 1916, President Woodrow Wilson signed a bill allowing the agency "to conserve the scenery and the natural and historic objects and wild life therein, and to provide for the enjoyment of the same in such manner and by such means as will leave them unimpaired for the enjoyment of future generations."[10] While Mather appointed Horace Albright as assistant director, he put Yard in charge of the National Parks Educational Committee. Consisting only of Yard and a secretary,[11] this division of the NPS aimed to create informative publicity in order to draw visitors to parks and develop programs to enhance the educational value of their experience.[12]

When Mather suffered a mental breakdown in January 1917 and had to take an extended leave, Yard believed himself next in line for interim director at the NPS. Disagreements within the organization, however, kept him from the position. Yard, who has been described as "intense, urbane and opinionated",[13] was disappointed when the position was given to Albright, who was only 27 years old at the time.[10] After more than a year of working in the Educational Division, Yard began to look outside the NPS for support.[12]

National Parks Association

Yard believed that while the National Park Service was effective as a government agency, it was not capable of promoting the wishes of the common American. He wrote in June 1918 that the national park movement must "be cultivated only by an organization of the people outside the government, and unhampered by politics and routine".[14] On May 29, 1919, the National Parks Association (NPA) was officially created to fill this role. Yard, who became a pivotal figure in the new society, was elected its executive secretary.[15] His duties as the only full-time employee of the NPA were practically the same as they had been with the NPS—to promote the national parks and to educate Americans about their use.[16] In its early years, the NPA was Yard's livelihood and passion: he recruited the key founding members, raised money and wrote various press releases.[17] Yard also served as editor of the NPA's National Parks Bulletin from 1919 to 1936. In the first issue, Yard outlined the organization's objectives in order to craft a broad educational program: not only would they attract students, artists and writers to the parks, but a "complete and rational system" would be created and adhered to by Congress and the Park Service.[18]

Yard believed that eligible national parks had to be scenically stunning. He noted in his 1919 volume The Book of the National Parks that the major characteristic of almost all national parks was that their scenery had been forged by geological or biological processes. He wrote, "[W]e shall not really enjoy our possession of the grandest scenery in the world until we realize that scenery is the written page of the History of Creation, and until we learn to read that page."[19] Yard's standards also insisted upon "complete conservation", meaning avoidance of commercialism and industrialization. Often referring to parks as "American masterpieces", he sought to protect them from economic activities such as timber cutting and mineral extracting. In such, Yard often advocated the preservation of "wilderness" conditions in America's national parks.[20]

In 1920, Congress passed the Water Power Act, which granted licenses to develop hydroelectric projects on federal lands, including national parks. Yard and the NPA joined again with Mather and the National Park Service to oppose the intrusion on Park Service control. In 1921, Congress passed the Jones-Esch Bill, amending the Water Power Act to exclude existing national parks from hydroelectric development.[21]

Conflict and the Forest Service

Horace Albright enjoying a "bear dinner"; Yard was opposed to such publicity stunts in national parks

Despite agreeing on most issues regarding the protection of national parks, friction between the NPA and NPS was seemingly unavoidable. Mather and Yard disagreed on many issues; whereas Mather was not interested in the protection of wildlife and accepted the Biological Survey's efforts to exterminate predators within parks, Yard vehemently criticized the program as early as 1924.[22] Yard was also highly critical of Mather's administration of the parks. Mather advocated plush accommodations, city comforts and various entertainments to encourage park visitation. These plans clashed with Yard's ideals, and he considered such urbanization of the nation's parks misguided. While visiting Yosemite National Park in 1926, he stated that the valley was "lost" after finding crowds, automobiles, jazz music and even a bear show.[23]

In 1924, the United States Forest Service initiated a program to set aside "primitive areas" in the national forests that protected wilderness while opening it to use.[24] Yard, who preferred to give the land that did not meet his standards to the Forest Service rather than the NPS, began to work closely with the USFS. The NPA and Yard, however, both received criticism from activists who feared that the association would be eclipsed by the Forest Service's separate goals. Such criticism disheartened Yard, who at times felt isolated and under-appreciated by his peers. He wrote in 1926, "I wonder whether I'm justified in forcing this work upon people who seem to care so little about it."[24]

In the late 1920s, Yard came to see wilderness as a solution to commercially motivated park making.[25] As a result, he continued to clash with others regarding legislation on park proposals. These included the Shenandoah National Park in Virginia, which Yard thought was too recreational and not of the caliber of a national park. He also hesitated at the nomination of the Everglades National Park in Florida. When the Tropic Everglades National Park Association was founded in 1928 to promote the idea of a national park in south Florida, Yard was initially skeptical that it was necessary.[26] Although he recognized the need for preservation, he was not ready to accept the proposal for a national park until the area met his high scenic standards. He slowly warmed to the idea, however, and in 1931 he supported the proposal under conditions that the area remain pristine, with limited tourist development.[27] The Everglades National Park was authorized by Congress in 1934.[28]

The Wilderness Society

Yard's preservationist goals began to stretch beyond the Park Service in the 1930s.[29] Drifting away from the national parks lobby, he began pushing for the preservation of what he called "primitive" land; he and John C. Merriam had discussed forming a group called "Save the Primitive League" for this reason.[30] Although the group did not materialize, Yard was invited at the age of 74 to become a founding member of the The Wilderness Society. The society was officially formed in January 1935 to spearhead wilderness preservation in the United States. Other founding members included notable conservationists Bob Marshall, Benton MacKaye, Bernard Frank and Aldo Leopold.[31] In September, Yard published the first issue of the society's magazine, The Living Wilderness. He wrote of the society's genesis, "The Wilderness Society is born of an emergency in conservation which admits of no delay. The craze is to build all the highways possible everywhere while billions may yet be borrowed from the unlucky future. The fashion is to barber and manicure wild America as smartly as the modern girl. Our mission is clear."[32]

Although Marshall initially proposed that Leopold act as the society's first president, Yard eventually accepted the role—as well as that of permanent secretary—in 1937.[33] He ran the society from his home in Washington, D.C. and single-handedly produced The Living Wilderness during its early years, although there was only one annual issue until 1945.[34]

Death and legacy

Described as a cautious and non-confrontational leader,[35] Yard directed the society's activities while continuing to push for national park standards. While ill from pneumonia at the end of his life, he ran the society's affairs from his bed. He died on May 17, 1945 at the age of 84.[34][36]

The National Park Service and what is now called the National Parks Conservation Association remain successful organizations. The National Park System of the United States comprises 390 areas covering more than 84 million acres in 49 states, Washington, D.C., American Samoa, Guam, Puerto Rico, Saipan, and the Virgin Islands.[6] His work to preserve wilderness in the United States has also endured.[37] After his death, three members of The Wilderness Society shouldered his various duties; Benton MacKaye officially replaced him as president, but executive secretary Howard Zahniser and director Olaus Murie ran the society for the next two decades. Zahniser also took over the society's magazine, making The Living Wilderness into a successful quarterly publication.[34]

Yard's effect on the Wilderness Society proved long-lasting; he was responsible for initiating cooperation with other major preservationist groups, including the National Park Association. He also established a durable alliance with the Sierra Club, founded in 1892 by noted preservationist John Muir. This alliance proved crucial during the proposal and eventual passage of the Wilderness Act.[34] The act, which was signed into law by President Lyndon B. Johnson on September 3, 1964, was the first major victory for The Wilderness Society. Written by Zahniser, it enabled Congress to set aside selected areas in the national forests, national parks, national wildlife refuges and other federal lands, as units to be kept permanently unchanged by humans.[38] Since its conception, The Wilderness Society has contributed a total of 104 million acres (421,000 km²) to the National Wilderness Preservation System.


Source: www.wikipedia.com

Saturday, December 20, 2008

Cara Bernyanyi

Kali ini saya mau menjelaskan kepada teman-teman yang ingin mengetahui apa itu vocal dan bagaimana cara melatih suara yang benar. Semua disini meliput dasar-dasarnya suara serta apa aja yang dinilai dari suara seorang penyanyi. Cerita ini saya kutip dari pelajaran yang pernah saya dapatkan dan juga berdasarkan pendapat dari para musisi yang berpengalaman.

Untuk menyajikan suara yang indah dalam bernyanyi, sebelumnya kita harus tahu beberapa tahapan yang harus dilatih, dibina, dan diasah secara teratur serta memerlukan disiplin yang tinggi, yaitu :

A. PERNAPASAN
B. MEMBENTUK SUARA
C. RESONANSI ( Menggemakan suara )
D. VOCAL & KONSONAN
E. INTONASI ( Menyanyikan nada dengan tepat )
F. ARTIKULASI ( Pengucapan yang benar & Jelas )
G. FRASERING ( Menyanyikan kalimat dengan utuh )
H. INTERPRETASI & EKSPRESI ( Memahami & Menjiwai nyanyian )

Tahapan yang diatas akan tersaji dalan satu kegiatan yaitu PENAMPILAN atau PEMENTASAN. PERNAPASAN

Ini adalah bagian utama dan terpenting dalam sebuah latihan vocal. Kalian tahu kenapa..? Karena nafas adalah penggerak utama dari suara. Kuatnya nafas dapat menimbulkan dan menciptakan getaran sebagai sumber dari pada “ Bunyi “. Dan nafas juga sebagai Vitamin yang paling ampuh untuk menyehatkan suara. Makanya pernafasan harus dilatih dengan baik dan teliti.
Dalam bernyanyi, kita mengenal 3 ( tiga ) jenis pernafasan. Masing – masing mempunyai kelebihan dan kelemahan tersendiri.

1. Pernafasan Bahu
Yaitu pada saat mengambil / menarik nafas, dilakukan dengan mengangkat bahu untuk mengisi paru-paru. Cara seperti ini tidak begitu baik, karena nafas yang dihasilkan dangkal dan mengakibatkan kalimat jadi terputus-putus.

2. Pernafasan Dada
Yaitu dengan membusungkan dada pada saat menarik nafas untuk mengisi paru-paru. Cara seperti ini juga tidak begitu baik, karena jadi terkesan cepat lelah dan akibatnya suara jadi tidak stabil dan terputus-putus.

3. Pernapasan Diafragma

Lazim kita sebut dengan pernafasan rongga perut. Yaitu menarik / mengambil nafas untuk mengisi paru-paru dengan mengembangkan rongga perut atau diafragma, serta mengembangkan tulang rusuk. Cara inilah yang terbaik yang dilakukan untuk bernyanyi, karena akan menghasilkan nafas yang panjang, ringan, santai dan produksi suara lebih bermutu.

Dengan pernafasan diafargma penyanyi dapat leluasa dalam berekspresi karena tidak ada tekanan dan desakan dalam pernafasan.

GIMANA CARNYA MELATIH PERNAFASAN DALAM BERNYANYI?

Cape’ neh ngetiknya.. Gini aja, ada beberapa cara yang dapat dilakukan untuk melatih pernafasan ini, khususnya melatih “DIAFRAGMA” penyanyi, antara lain:

a. Dengan berdiri santai, badan lurus, sambil meletakkan ujung jempol jari di ujung tulang rusuk terbawah. Tariklah nafas melalui hidung dengan cara perlahan atau dengan cepat, dan rasakan bahwa jempol kamu tadi terdorong kesebelah luar, sebagai reaksi dari melonggarnya tulang iga.
Jika telah terasa penuh, kemudian nafas tadi dikeluarkan dalam bentuk senandung vocal “a” atau konsonan “s” ataupun dengan hitungan. Yang jelas bukan dengan cara mendorong, tapi mengeluarkan nafas sehemat mungkin.
Lakukan minimal 20x setiap hari atau setiap ada kesempatan buat latihan. Ini akan membuat otot-otot perut kamu menjadi semakin kokoh dan kuat.

b. Dengan posisi tidur terlentang lurus dan kedua tangan diletakkan sejajar dengan tubuh. Letakkan beberapabenda seperti buku diatas perut sebagai beban dan tariklah nafasseperti bagian “a” diatas serta rasakan bahwa beban diatas perut terangkat keatas, juga rasakan tulang rusuk ikut mendorongnya.
Jika telah terasa penuh, keluarkan lagi seperti yang “a” tadi dan lakukan minimal 20x sehari ato tambahan kapan aja kamu punya waktu buat latihan.

Latihan ini bisa membuat otot perut menjadi kokoh serta kita pun jadi santai untuk mengucapkan kalimat. Selain itu juga dapat merubah kebiasaan bernafas yang dilakukan dengan mengangkat bahu atau membusungkan dada.
Ada juga cara buat nguatin otot perut yaitu dengan tertawa terbahak bahak , sampai terasa klo perut tergoncang goncang. Tapi klo latihan ini harus dilakukan dengan sangat hati hati, karena nanti bisa dibilang orang gila (hehehe)

Pengambilan nafas pada saat memulai lagu atau awal kalimat lagu dapat dilakukan dengan menarik nafas melalui hidung dengan santai. Namun jika pada saat bernyanyi atau ditengah lagu sebaiknya dilakukan dengan singkat atau dengan mendengkus, seperti kita nyium aroma yang harum atau aroma makanan ( Hmmm Jadi laper neh.. ).
Pada pernafasan yang demikian, kita hanya mengembangkan pernafasan “alami” yang kita miliki, akan tetapi jika pernafasan alami “naik turunnya sama” sedangkan penyanyian itu “ menariknafas dengan cepat dan mengeluarkannya dengan sehemat mungkin” karena tujuan utama kita adalah menyelesaikan satu kalimat dalam satu tarikan nafas. Dengan demikian kalimat yang kita ucapkan /nyanyikan kedengaran indah dan bermutu, tidak tersendat-sendat.


Source: www.wikipedia.com

Friday, December 19, 2008

This isn't just Cinderella Story 2, it's Another Cinderella Story, right?

Sep 19 2008
It's not A Cinderella Story 2. It's Another Cinderella Story. Warner Home Video's DVD premiere follows A Cinderella Story, starring Hilary Duff, but is a completely new story with new characters and actors.

"The idea essentially was to take the Cinderella fable and retell it," said director Damon Santostefano. "In doing that, it very much turned out to be not so much a sequel of A Cinderella Story, but rather a completely new retelling of a modern day extrapolation of the fable. On top of that, it's a dance musical so it's really the comedy dance musical version of the Cinderella fable. It's very much an entirely different story and required a totally different actress for the role."

Selena Gomez, star of Wizards of Waverly Place, is the new Cinderella. "When I was working with her, she was 15 ½ and I'd never worked with somebody of that age who had the integrity and the self-awareness, the groundedness, the dramatic chops and a natural comic ability in my career," said Santostefano. "She's not a little celebrity. She is actually a very, very talented actor who has really strong instincts and can sing, and can dance. She's a triple threat."

We interviewed Selena herself at the film's red carpet premiere at The Grove in Los Angeles.

This isn't just Cinderella Story 2, it's Another Cinderella Story, right?

Selena Gomez: "It's another one. It's another way of telling it. It's not really a sequel. It's just our version of it."

Do you have a dance background for all the musical numbers?

Selena Gomez: "I had two months of dance training so I was a complete white girl when it came to dancing. I was awful. I was awful so I think it was really cool to learn."

Do you feel like Cinderella today?

Selena Gomez: "I do. This is my first premiere for a project that I'm in so I'm very happy."

Do you get butterflies?

Selena Gomez: "Yes, I do. I'm hoping everybody likes it. I invited a lot of my friends today so they're going to be able to see it for the first time."

Why are you so proud of this movie?

Selena Gomez: "This is the first lead role that I took and it's very nerve-wracking for me. I learned so much from everyone and I hope that this is successful for all of those people."

What do you look for in a Prince Charming?

Selena Gomez: "Someone who's honest, someone who can make me smile like no one else, and someone I can be friends with."

When was the last time you felt like a nerd?

Selena Gomez: "This morning. I was like, 'Mom, where do I zip this thing up?' Because I was going to wear this the right way and apparently the new fashion way, the brand new fashion is to tie it. So I was like, 'Oh, okay, I'm totally just going to wear it like this.'"

What's a perfect date?

Selena Gomez: "A perfect date is probably something somewhere where you can kind of communicate and talk to the person. I don't like movies as first date. I don't think that's a good idea because you don't really get to talk to the person. I think taking a walk or just having one on one time with that person is the best."

Here's an interview with Selena's costar, Drew Seeley:

What does it mean that this is Another Cinderella Story?

Drew Seeley: "It's another, new story, new characters. It's not picking up where it left off so it's totally new. Same producers."

Is that freeing to get your own new character?

Drew Seeley: "It is. It's great because it doesn't feel like a sequel. This feels like a first. It is a first movie. It stands alone by itself and it's got so much great music in it."

Do you feel like Prince Charming today?

Drew Seeley: "I do. I feel like I don't deserve all this. I feel kind of out of place."

Why?

Drew Seeley: "I don't know, it's just so weird and random and great."

Do you have your own Cinderella?

Drew Seeley: "I'm in a good place right now. I mean, a lot of the music in the film is definitely inspired by my life."

What do you look for in a Cinderella?

Drew Seeley: "Self-confidence. That's number one because everything stems from that. I'm not going to lie, there's got to be a physical attraction. Come on, you know, but it's so much deeper than that. The first thing is personality."

How did you end up doing Zac Efron's singing but not just playing the role in High School Musical?

Drew Seeley: "Who knows why things happen in the world the way that they do, but I got involved because I co-wrote Get Your Head in the Game for the first film. Then while Zac was filming Hairspray, I went on the North American/South American tour. That was my involvement with High School Musical, but I want to say that directly led to this two years later because I'm sure if I didn't have that experience I wouldn't have been ready for this."


Source: www.wikipedia.com